What I love about our live act with János Vázsonyi is the way finished pieces transform — they gain new faces, and the outcome is never the same twice. I also enjoy that I play instruments during the performance, most often percussion and flute, so the music becomes a dialogue rather than something fixed. For me, the act has the potential to turn into a form of total art: when I bring literature into it, when I read aloud, it expands into something larger than sound. One of my long-term visions is to weave narrative into the music — for instance, to read from the Tao Te Ching in harmony with the set, and to integrate movement as well, so that the music grows into a performance.
